Here, they displayed paintings with Christian subjects that caused a sensation. The first Jesuit mission arrived at the city of Fatehpur in 1580, and installed a chapel inside the house that Akbar had assigned to them. They had come from the Portuguese settlement of Goa, and this encounter would result in Akbar sending a delegation there, to request that a religious delegation be sent to the Mughul court. © Victoria and Albert Museum, LondonĪmong the crowd on the far right of the painting is a figure in blue clothes and a black hood, with blue eyes – he represents the Europeans that Akbar encountered for the first time, and energetically questioned about their lives, habits and beliefs. Left to right: The disguised witch Anqarut ties the hero Malik Iraj to a tree Rustam and Mihr Afruz prepare for their wedding in a garden Hamza receives an envoy requesting help from an army of Westerners, detached folios from the Hamzanama, gouache on cotton backed with paper, Mughal. In addition, at some stage in their history, probably in the 19th century, zealots have rubbed out the faces of all the living beings depicted. Their condition, inevitably, is poor: some have been damaged by fire or rain, and the colours on all the pages have faded significantly.
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Some were rescued from the windows of the shop, where they had been used to block out the winter frosts of the previous season.
When in Kashmir, he wandered into a curiosity shop in the capital city of Srinagar, and noticed some large paintings which he immediately bought. The main purpose of the architect, who was the first Keeper of the Indian Section and would go on to become Director of the V&A, was to buy contemporary objects of a kind not represented in the museum. Most of the paintings now in the V&A were acquired in the winter of 1880 – 81 when Caspar Purdon Clarke was sent to India on a purchasing trip to make acquisitions for what was then the South Kensington Museum (now the V&A).
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